Tuesday, December 16, 2008

"Many Waters" and "War Cut" at Japanese American National Museum

These are installation images from my installation at Japanese American National Museum. I am participating in a group exhibit curated by Rita Gonzalez and Kris Kuramitsu, "20 Years Ago Today: Supporting Visual Artists in LA".

For JANM, I created a site-specific installation for their lobby space, adapting an installation "Many Waters" originally created for 7+Fig Art Space. I also installed a wall sculpture, "War Cut" from 2005, made with sheets of newspaper covering Iraq War.

"20 Years Ago Today: Supporting Visual Artists in LA"
Lynn Aldrich | Cindy Bernard | Natalie Bookchin | Erica Cho | Sandra de la Loza | Roy Dowell | Eve Fowler | Harry Gamboa Jr. | Todd Gray | Jim Isermann | Hilja Keading | Charles LaBelle | William Leavitt | Jesse Lerner | Won Ju Lim | Monica Majoli | Daniel J. Martinez | Dominique Moody | Kori Newkirk | Ruby Osorio | Lari Pittman | Rachel Rosenthal | Erika Rothenberg | Betye Saar | Lezley Saar | Connie Samaras | Kyungmi Shin | Haruko Tanaka | John Valadez | Sara Velas | Megan Williams | Bruce and Norman Yonemo

October 4, 2008 through January 11, 2009
Japanese American National Museum
369 East First Street
Los Angeles, California 90012
phone: 213.625.0414
Tuesday, Wednesday, Friday, Saturday and Sunday: 11 AM to 5 PM
Thursday: 11 AM to 8 PM
http://www.janm.org/exhibits/20years/







Tuesday, April 22, 2008

"Rich" at 18th Street Art Center, Santa Monica

"Rich" is a multi media installation I created for the Project Space at 18th Street Art Center in Santa Monica. The installation is composed of three video projections, wall paintings, photos and line drawing on the wall and floor. The videos are scenes from funeral shot in Ghana in the village where we have our studio home, and from a African American church service in Inglewood, CA, a block from our Los Angeles home. The fragmented and abstracted images and sound from the video are integrated into the overall wall installation.

The exhibit is presented in conjunction with "100% Other: rtists and Psycho-Demographic Transitions" and both this and my exhibit was curated by Tyler Stallings, director, UC Riverside Sweeney Gallery.

The show opened April 12th, and runs through June 29th, 2008.
Hours are M-F 12-6PM

18th Street Arts Center
1639 19th Street, Santa Monica, CA 90404
310.453.3711
www.18thstreet.org




















Wednesday, March 26, 2008

"Blue" at Torrance Art Museum, PIX show

I just finished an installation of "Blue" at Torrance Art Museum as part of the "PIX: Some Recent Photos from the Post-Filmic Era." I have taken my installation, "Blue Notes" from 2004, and have updated the installation by adding drawings on the wall that relate to the photographs. "PIX" has photo installations by many other artists as well. Hope you can check it out when you find yourself in the area.

PIX

Some Recent Photos from the Post-Filmic Era

Stephanie Allespach, Bia Gayotto, Todd Gray, Micol Hebron, Audrey Mandelbaum, Douglas McCulloh, Kyungmi Shin, Daniel WHeeler


March 29 - May 31, 2008
Reception: Saturday, March 29, 7-10PM

Torrance Art Museum
at the Joslyn Center
3320 Civic Center Drive, Torrance, CA 90503
www.torranceartmuseum.com
310-618-6340

Hours: T-Sat 11-5PM
Closed on May 17 and May 24.





Thursday, February 21, 2008

"Many Waters" at 7+Fig Art Space, by kyungmi shin



"Many Waters" is a multi media installation at 7+Fig Art Space in downtown Los Angeles.

Feb 14 through March 28
Mon-Fri 12-6pm/ Thurs 12-8PM




Feb 14 & March 13, Thurs, 12-9PM Downtown Artwalk
Meet the artist/ In the Bag/ Tour of the exhibition/ Feb 29 & March 21, Fri 12-2PM

7+Fig at Ernst & Young Plaza
735 South Figueroa Street/ middle level
park at Francisco & 7th Street


The title of Kyungmi Shin’s multimedia installation, many waters, is a phrase from the Song of Solomon, a love poem between King Solomon and Queen Shiva, found in the Old Testament. Their love affair is used as a metaphor by the artist for the meeting between Africa and the West. The phrase itself illustrates the idea of life as a multilayered experience, the intersection of cultures and languages, and multiple, diverse, clashing perspectives. The installation centers around photographic and videographic footage, taken mostly in Ghana, West Africa, of an idyllic tropical life, juxtaposed with painted elements inspired by natural, chaotic entropic growth found in both natural and urban environments. Ultimately, this installation investigates the relationship between nature and culture, utopia and dystopia.

The sculptural element of the installation will grow over the course of the 7 weeks of the exhibition period. Please visit this blog site again for updated images.




















Installation View of Blue: Double-Side at LAX Airport Terminal 3

This is a 200 feet photo and painting installation at LAX Airport, Terminal 3, in the baggage claim area. It's accessible to general public, so when you are traveling through LAX next time, please check out this installation.

February 7 - July 6, 2008
LAX Airport, Terminal 3, Baggage Claim Area


This installation, “Blue: Double-Side”, investigates the relationship between reality, perception and imagination using the color blue as a cue. The installation is composed of painting and photography. The photographs in the installation are taken in Los Angeles and Africa. The painterly elements and photographic images echo and interact with each other. I am incorporating these chance encounters with blue in my travels with painted elements of geometric shapes reminiscent of futuristic architecture and crystal growth.

Blue in ancient Egyptian art was depicted with the mineral Lapis Lazuli which purportedly possessed life-giving powers. Blue pigment ground from Lapis Lazuli was used in the depiction of Pharao, Nile, the life-giving and most important river in ancient Egypt, and also in the depiction of the Heavenly sky in ancient Egyptian art. In medieval illuminations and paintings from Europe, the same pigment from Lapis Lazuli was used to paint the robes of Virgin Mary.

I started the “Blue” project in 2001 as an attempt to open up my art practice to include accidental discoveries and Dada-esque randomness. I decided that for one year, I would photograph whatever I encountered that was colored blue whether it was the sky or a piece of trash on the ground. The ensuing portfolio of photographs, over one thousand images, served as a basis for several photo installations. The first large scale installation, “Blue”, was made for Seoul Arts Center in 2002 in Seoul, South Korea. Another large installation, “Blue II”, was created at Vox Populi in Philadelphia, PA in 2005.

In this new installation developed for the LAX airport, I have worked with new images from my recent travels and created an installation that describes two different worlds- Los Angeles and Ghana- and the air travel between them. There is much blue present in our visual experience, the blue sky, the ocean. And the earth is blue when seen from outer space. This focus on the color blue serves as a beginning point to reflect on the visual poetry that exists in our daily lives. I’ve noticed that in my experience of creating these pictures, the discovery of blue objects became a transformative experience of my daily life. The blue discarded plastic bag was as precious as the blue of the Lapis Lazuli, and I marveled at the poetry of my daily experience. I would be looking at a blue wall, then a passerby with a blue shirt walks by, and at the same time, a blue Pepsi Truck drives by. These small coincidences became poetry written by universe for me as the audience. Many of these encounters, I didn’t have the chance to record on camera, but I was profoundly touched by them. My intention for this installation is to create a poetic experience for the viewers who pass through this area of LAX. As you walk through and see these images, I hope that you have an experience that echoes this poetry of life.